Synastry contact

Sun Opposition Moon Synastry: When Who You Are Faces How They Feel

Short answer: Sun opposition Moon synastry means that who one of you is and how the other feels face each other from opposite sides: one person's self, plans and energy sit across from the other's moods, needs and habits, and each has something the other lacks. The two places usually fall in opposite signs, which move at the same pace and are made of elements that complement each other, so the contact pulls you toward each other and grates at the same time, and disagreements come easily. The older books read a square or opposition between these two as a source of quarrels. This page reads the same pull, and the friction that comes with it, as energy: each of you has what the other lacks. It is one contact among many, and what gets built on it is up to the two of you.

Who you are, facing how they feel

Every chart has a Sun and a Moon, and they do different jobs. The Sun is who you are: the self you steer by, what you want, where you are heading, the energy you bring into a room. The Moon is how you feel: your moods and needs, the habits that comfort you, what it takes for you to feel safe. Sun opposition Moon in synastry means one person's Sun sits about 180° from the other person's Moon: straight across the circle. One of you brings a self, the other brings a set of needs, and here they face each other.

The geometry behind that is short. An opposition usually joins two opposite signs, and opposite signs have a lot in common. The twelve signs fall into three groups by how they move: some start things, some keep things going, some adapt as they go. (Their usual names are cardinal, fixed and mutable.) Opposite signs belong to the same group, so they move at the same pace. And their elements complement each other: fire faces air, earth faces water. (Usually, not always: an opposition that starts near the edge of a sign can reach past the pattern.) So the two of you are not strangers. You are more like two people looking at the same thing from opposite sides of it.

That is why the contact pulls both ways. What the one with the Sun has, the one with the Moon tends to lack, and to want; what the one with the Moon has, the one with the Sun tends to lack. Being near someone who has what you lack is appealing. It also grates, because they keep showing you what you do not have, and they do not do it your way. Both are energy, and neither is a fault in the contact or in either of you.

It can turn up between friends, siblings, colleagues, or a parent and child just as well as between partners, and it is one line among many in any two charts.

The Sun person and the Moon person

In this contact one of you brings the Sun and the other brings the Moon, and you face each other from opposite sides. Call them the Sun person and the Moon person.

If you are the Sun person, you are mostly just being yourself: making your plans, having your opinions, heading somewhere. Around the Moon person you become unusually aware of it. They react to who you are as if it were the most noticeable thing in the room, sometimes drawn to it, sometimes bristling at it, often both in one evening. They have something you tend not to have so readily: a clear sense of what they need and how they feel. You may find yourself relying on that more than you expected, and minding a little that you do.

If you are the Moon person, the experience is of being faced. Your moods are seen, sometimes more clearly than you would like. The Sun person goes at life with a directness you do not have, and around them you feel both carried along and pushed. They have something you tend not to have so readily: a clear sense of where they are going. You may find yourself borrowing it, and arguing with it, in the same week.

If the link also runs the other way, from the Moon person's Sun to the Sun person's Moon, each of you is both.

What each gives, and what each needs

Put simply, the Sun person lights up and the Moon person steadies. In the opposition, each does it in the opposite way to the other, so each sees clearly what the other is doing, and has opinions about it.

The Sun person gives the Moon person a clear view of their own feelings, by contrast. Seeing someone go at life the opposite way shows the Moon person what their own way is. A mood that was just there becomes something they can name, because here is someone who would never feel it that way.

The Moon person gives the Sun person the same thing from the other side. Their reactions show the Sun person, plainly, what their direction looks like from outside, and what it leaves out.

What each needs is to be met halfway, and that is where both the pull and the grating come from. The Sun person needs their direction taken seriously, not only felt about. The Moon person needs their feelings taken seriously, not only planned around. In an opposition, each of you can often see what the other needs, and it is often the thing you find hardest to give.

When the two of you do meet halfway, it is usually over something in the middle that matters to both of you: a shared project, a shared person, a shared home. The contact tends to show at its best when you are both turned toward the same thing.

How it might look

These are sketches, not reports: illustrations of how the contact might show up across different kinds of pairs.

  • Colleagues. A client pitch. The Sun person stands up and sells the idea; the Moon person watches the client's face and knows, ten minutes in, which part has not landed. Between them they cover the meeting. In the lift afterwards they bicker about how the other did it.
  • Housemates. One of you, the Sun person, fills the flat with people on Fridays. The other needs Friday to be quiet. Each of you is a little envious of how easily the other does the thing you cannot, and says so only when annoyed.
  • Mentor and apprentice. The apprentice is the Sun person, sure of what they want to make. The mentor, the Moon person, keeps asking how it will feel to use. The apprentice finds this maddening and, a year later, catches themselves asking it of someone else.
  • Siblings. A brother and sister on the family holiday. One decides where everyone goes each day; the other decides whether it was a good day. Each thinks the other has the easier job.
  • Grandparent and grandchild. The grandmother is the Sun person, full of stories about what she did; the grandson, the Moon person, wants to know how she felt about any of it. She finds his questions intrusive and keeps answering them.
  • Partners. One of you has a strong sense of where your life is heading; the other has a strong sense of what home has to feel like. The arguments are about the same thing every time, and so, in a way, is what keeps you interested in each other.

In each sketch the same thing happens: each person has what the other lacks, and that is both the draw and the irritation.

Fire and air, earth and water, across the circle

An opposition usually joins a fire sign to the air sign across from it, or an earth sign to the water sign across from it. In plain terms: fire is enthusiasm and action, air is talk and ideas, earth is practical steadiness, water is feeling. So there are two main versions, and which of you has which element shifts the feel.

Fire and air. This version is quick and noisy, and it turns on doing against talking it over. With the Sun in fire and the Moon in air, the Sun person wants to act, and the Moon person needs to talk it through first, and hear what other people think, before they feel easy. With the Sun in air and the Moon in fire, the Sun person's ideas and opinions give the Moon person's quick feelings something to push off from, and the Moon person's impatience pushes the Sun person to stop weighing things up and choose. Either way, one of you is the spark and the other the conversation about it. It might look like two friends planning a trip: one has booked the train before the other has finished listing the options, and both are pleased and irritated about it.

Earth and water. This version is slower and deeper, and it turns on what is solid against what is felt. With the Sun in earth and the Moon in water, the Sun person's practical, steady way gives the Moon person something to hold on to, and can also seem to them to miss the point of a feeling entirely. With the Sun in water and the Moon in earth, the Sun person's strong feelings can unsettle the Moon person's need for things to stay put, and can also be exactly what warms them up. It might look like a mother and her grown son sorting out her move to a smaller flat: he has the spreadsheet, she has the reason each chair matters, and the move needs both of them in the room.

What the pull gives

Facing each other is not restful, and it is not nothing. Between a Sun and a Moon, it gives some things an easier contact does not.

It gives each of you a clear view of yourself. Two people of one temperament can go years without noticing what their way of doing things leaves out. Across an opposition, the other person is what it leaves out, standing in front of you.

It gives each of you a supply of what you lack. The Sun person gets someone who knows what they feel; the Moon person gets someone who knows where they are going. Neither is always comfortable to be near, and both are useful.

It gives you range together. Between you, you can usually cover both halves of a thing: the plan and how it will feel, the decision and what it costs.

And it keeps the pull alive. The difference that grates is the same one that draws you, so the contact rarely goes flat.

None of this means the pull is pleasant every day. It means it is doing something. It is what a contact between two people facing each other is like to live with.

From the sources

What the older sources say

Ptolemy's *Tetrabiblos* calls the opposition and the quartile, his word for the square, "discordant", because they are made between signs "not of the same kind, but of different natures and sexes" (Ashmand, 1822, p. 38). That is a statement about aspects in general, not about two people. The word "sexes" here means masculine and feminine, the old names for the two halves of the zodiac, which alternate sign by sign; it is not about the people. Half his reason does not fit the opposition: opposite signs are usually both masculine or both feminine. He gives the two aspects the same label all the same.

His chapter on friends and enemies (IV.7) is about two people, and it is more careful than a quick reading suggests. On p. 192 he looks at four places in both charts together: the Sun, the Moon, the ascendant (the sign rising at birth) and the part of fortune (a point worked out from the Sun, Moon and ascendant). Where those places are only at an angle to each other, he expects "minor friendship" if the angle is a trine or sextile, but "if by quartile, they will excite minor enmity". That grading is for the four places as a set, so a single Sun–Moon contact does not earn it by itself, and the passage names the quartile, not the opposition. He then adds (pp. 192–193) that where familiarity between two charts, or the absence of it, exists "only as regards the places of the luminaries" (the luminaries, or Lights, are the Sun and Moon), the friendship that follows is "the best and most secure" and the enmity "the worst and most dangerous". He is speaking there of the Sun and Moon in general, not of the opposition in particular.

"Raphael" (*The Guide to Astrology*, 1905, p. 96) puts the two families side by side. If the Sun or Moon in one chart is in conjunction or friendly aspect with the Lights in the other, "then will friendship follow"; "but should they be in" square or opposition, "quarrelling and enmity will occur".

Two older writers name the opposition alone. William Lilly (*Christian Astrology*, 1647, p. 638) writes that if the Sun or Mars in either chart is opposite Mercury or the Moon, "they injure one another". The Sun opposite the Moon is one of the four pairings that rule covers; the rest of his sentence, on which of the two does the more harm, turns on "the Infortune", here Mars, which is not part of this contact. James Wilson's *A Complete Dictionary of Astrology* (1819, p. 381) repeats the rule in harder words: "they hate each other".

Those are the passages this page rests on, and two limits follow from them. First, none of them tells the opposition from the square. Ptolemy on p. 38 and Raphael name the two together; Ptolemy's p. 192 passage names only the quartile, and Lilly and Wilson only the opposition, and none of them says the other aspect works differently. The difference this page draws, that an opposition reads as polarity, each having what the other lacks, because it usually joins opposite signs of the same pace and of elements that complement each other, is this site's reading, based on the kinds of sign each aspect usually joins. The older books do not say it. Second, Ptolemy and Raphael speak of the Lights in two charts, which can be read as covering Sun to Sun and Moon to Moon as well as Sun to Moon. The sources state their readings as a matter of course: quarrelling and enmity "will occur", and in Lilly and Wilson the two "injure one another" and "hate each other". Reading that as a tendency, not a description of a relationship or a promise of how it turns out, is this site's reading, and so is reading the friction as energy, something two people can have and use.

None of these passages gives the contact a direction: Raphael's line runs from either chart to the other, Lilly's from either person's chart ("in eithers Geniture"), and Ptolemy's grading looks at both charts together. Lilly and Wilson give a direction only through Mars, which is not part of this contact. Here, which of you is the Sun person and which the Moon person depends only on whose Sun and whose Moon make the contact, and what this page says about each side is this site's own reading, not the sources'.

Is this you two?

  • One of you has the thing the other most admires and the thing the other finds most irritating, and it is the same thing.
  • Your arguments come back to the same few subjects, from opposite sides.
  • Each of you could describe the other's point of view better than most people could.
  • One of you decides, the other knows how the decision feels, and both of you sometimes wish you had the other's job.
  • Between you, you tend to cover both halves of a problem.
  • In a room, it is hard for either of you to forget the other is there.
  • Now and then one of you hears yourself saying something the other would say.

Sources

  • Ptolemy, Tetrabiblos, trans. J. M. Ashmand (London, 1822), p. 38 (I.16) and pp. 192–193 (IV.7) read it
  • "Raphael" (R. T. Cross), The Guide to Astrology (London, 1905), p. 96 read it
  • William Lilly, Christian Astrology (London, 1647), Book III, p. 638 read it
  • James Wilson, A Complete Dictionary of Astrology (London, 1819), s.v. "Sympathy", p. 381 read it